Archive for the ‘publishing’ Category

An example of a cheque.

Bitches gonna get paid. (Photo credit: Wikipedia)

So. My first publication.

It was for a short story called ‘Magic Show’ that I wrote about…hang on, let me check the date mark…holy fuck, almost five years ago. Whoa. Didn’t see that coming. Anyway. I wrote the first draft of it on a six-hour bus ride from Halifax to Cape Breton. I always end up getting lots of writing done in places from which I can’t escape.*

It was also the first short story I’d written since about the seventh grade, so I was kind of unsure about it. But I knew there was an upcoming anthology, Undercurrents, that seemed to be a fit theme-wise, so I wrote up my cover letter, double-checked the manuscript and the letter for embarrassing spelling errors, and sent it in. Here’s the stages it went through:

The Letter: Eventually, a letter came, which told me my story had been accepted and that a contract and edits would follow.
I immediately turned it over just in case someone had scrawled LOL JK NOPE on the back, but they had not. I proceeded to squeal and get high-fives from everyone nearby.

The Contract: This was pretty simple, simple enough that even I, with my limited legal knowledge, could figure it out easily. This details things like payment, rights, all that good stuff. Every short story contract I’ve ever seen has been dead fucking simple. But if you’re unsure, there’s no shame in getting a friend fluent in Legal Speak to look it over, or checking it out via some stuff online. You should know what you’re getting into instead of just signing on the dotted line. Read that shit. You’re a writer, you should respect the power of words.

The Edits: The editors of the anthology sent me a marked-up version of my story with changes they’d like to see. I made the changes and sent it back. That’s it.
Admittedly, most of my edits have been simple, single-pass stuff: spelling errors, tense agreement, accidental slips of the keys that turn ‘shot’ into ‘shit’.** I’ve never had anyone ask me for a different ending, or a complete rewrite, so I can’t comment on how that goes.
However, one point I will make is that the editor is not usually asking. These are the changes they want, and if you choose not to make them, you’d best have a damn good reason. And “I just like it better this way” is not a reason. You’ll have to make a compelling case, or face the possibility of your story getting dropped. Ask yourself if the changes are that big a deal first.

The Book Launch (Optional): I was lucky enough that the first anthology I was published in was launched where I live, so I got to go to the launch. I also did a reading, which was fun. If someone asks you to do one, you should. If you don’t, then, again, have a really damn good reason, because they can really help sell the book, which helps you. (Those of you who are terrified, strap on your adult pants and check out this post on overcoming it.)
Also featured at the book launch was a signing. All us authors had little name-tags, so in the space between the readings, people who had a copy of the book would come up to us and ask for a John Hancock***. Also fun. Make sure you bring a good pen with you, one that won’t crap out. And smile and be pleasant. After all, these people just paid money—real money, that they worked for—for a piece of your writing. Wasn’t that nice of them? Hitch a smile on your face and be nice in return.

The Money: Ah, the part everyone’s waiting for. Sometimes you get this before the launch, sometimes after. I got this particular cheque after because our pay was based on a portion of sales. That’s another thing: sometimes you get a flat fee, sometimes you get a share or royalties or profits or earnings or whatever. Did you read the contract like I told you? It was in there.
That first cheque was pretty sweet. I remember taking it out of the envelope, looking at it and thinking, My first writing pay cheque. I should frame this.
Then I came to my senses and used it to buy beer. Because, dude: money. From writing. How fucking sweet is that?

*Except by the power of imagination.  
**I never stop making this mistake.
***That sounds like a sex act when I write it that way.

FISHERMEN'S SONS PRACTICE TARGET SHOOTING IN B...

Those rejections are in there somewhere. (Photo credit: Wikipedia)

Two scant weeks into the New Year, and I have it: the first rejection letter.* Count it, people. Twelve to go. Big thanks to Harper Voyager for their time, and for being the first on the list. Thanks for playing.

Submitting stuff is hard work. And, though I hate to put it this way, it’s not quite as….hm…rewarding as writing. Okay, it can be, when you get acceptances, but all that work is up front. With writing, you at least get the satisfaction of making something and then looking at it. Submitting is a whole other beast, and requires a different mind set.

Smile Scavenger asked about my first time getting published in the comments the other day, so I figured it would make an excellent post. Actually, it ended up making two posts, one about the process and one about my personal experience. Here’s part one, the process. Also known as the Guide to Acquiring Rejection Letters.
Your experience may vary, but most of the fiction writers I know started off the same way: with short stories. They’re short**, they’re easier to send out, and there’s usually a much shorter response time. Plus, they give you nifty writing credits that you can add to your cover letters. Always a bonus.

Short stories are how I started; I still do them. I’m doing a couple right now, as a matter of fact. They’re a nice palette cleanser after a long project. Here’s the approximate process I go through.

1. Write something. Or find a market for which you can write. Either one works. Sometimes I have stories that I just write, other times I write to a theme for a particular market. As always, write to the best of your ability and then edit that fucker. Polish it and make sure it’s ready to be seen by the judgemental public eye.

2. Find a market. If you wrote for something in particular, this is already done. If not, check the newest Writer’s Guide book or online listings. For speculative fiction, I’ve been making a use of Ralan, which has listings divided by type and pay. Make sure what you wrote fits the market. Just because you wrote a great werewolf erotica does not mean that it belongs in a hard sci-fi anthology. You’re just going to piss people off.
Sidebar: Before sending things out, I’d advise a visit to Preditors and Editors, a site that posts warnings about agents, markets, contests, and other things that have sketchy or downright bad policies. Check it out. Thank me later.

3. Write your cover letter, if you need one, and properly format your submission. All those things in the Submission Guidelines on those listings? They’re there for a reason. Someone, somewhere likes things that way, and since they’re reading your work, they get to decide. It’s not that hard to do the formatting, and you save your story from being read by someone you’ve already pissed off. You are not special. You cannot ignore the rules.

4. Check everything over. Should the submission be an attachment or pasted into the body of an email? SASE or postcard return? Response time? Still open? Did you get the editor’s name right?*** Double check it, then check it again, and then get someone else to fucking check it.

5. Send it out. Wish it luck. Mark a response time in your calendar or iPhone or whatever, so you know if you should send an e-mail at a certain point, or so you don’t forget where it went. You might also want to make a note of what story you sent and to what market, so you don’t accidentally submit to the same market twice. Awkward.

6. Wait. It’s helpful to do something else during this time. Write another story. Work on new ideas. Drink. Or, you know, just stare at the mailbox/hit refresh on your e-mail. Your call.

7. Get the response. If acceptance, celebrate and wait for further details or a contract. If rejection, shake it off, file it away, and get on with your life.

Rinse. Repeat.

Follow these steps, and soon you will be acquiring rejection letters of your very own.

*Actually, this wasn’t an official rejection letter, but the lack-of-response time has expired, which is a rejection. Still counts.
**No fucking kidding, Captain Obvious.
***Once again, why piss off someone before they read your story?

Gatinho

I want to get these and name them ‘Mo Money’ and ‘Mo Problems’.(Photo credit: Wikipedia)

This morning I had the pleasure of experiencing an amazing part of writing.

Developing meaningful plots? No.

Creating compelling characters like a cut-rate god? Nope.

Finally typing The End on the last page of a manuscript? Uh-uh.

Getting a brilliant flash of an Idea that you know will be amazing if only you can get it down? Fuck no, that happens five times a bloody week. The trick is training the little bastards to turn into something useful. And to not occur on a busy highway.

Opening your front door to find your lawn covered by a shrine erected to your characters with candles and rabbit bones and I Lurve U scrawled in blood and feces? Definitely not. That does sound pretty bad ass*, but, alas, outside of my experience.

No, dear friends, today was far more prosaic. No flashes of inspiration**, no huge tracts of word count, no perfect piece of Plot Spackle. But it was no less meaningful for that.

Today I got paid.***

Don’t look at me like that. You were expecting some realization about the essential majesty of all mankind? The beautiful contrast of a raindrop caught in the whiskers of an attacking cougar? Pass.

No, I got paid for a story, and I like it. Crass? Commercial? Selling out? Maybe. I’m okay with it. There is money in my bank account that was not there before, and it is a direct product of writing.

There’s lots of people out there who will claim that artistic integrity is the only reason to write, and everything else is worthless. And there’s a grain of truth in that. You should write things that you love and feel passionate about. You should look at your work and feel proud of creating it.

But you know what else is nice? When, after you’ve created something you love, someone else looks at it and says, I like this. Here, have some money for it. That’s not only legitimacy, that’s freedom, baby. That’s a cell phone bill or a mortgage payment or a night out, depending on your pay grade. That’s money you earned with your brain and your words.

Not that I’m exactly rolling in it from writing proceeds. I make a bit here and there. Definitely not enough to live on. I usually refer to it as beer money, and spend it as such. Nothing big, really. Pitchers and pizzas. Maybe dessert.

But that’s enough. And when I have that beer tonight, it will taste like victory.

*And creepy as fuck. But I’m not adverse to creepy. Hell, I’d probably feature it in a story, Misery-style.
**Yet. But I’ve only been up two hours as of this writing.
***Okay, artistic licence. Really I got notification that I will get paid when I see my editors next week. Still: mo’ money.

 

English: Spilosoma glatignyi caterpillar in su...

Caterpillar says, “Screw you. I’m fabulous.” (Photo credit: Wikipedia)

I recently gave an interview over on the Third Person Press news blog. In preparation for the launch of Unearthed, they’re publishing interviews with some of the authors, and they’re interesting reads. Go check it out. I even managed to hold back the swears. The power of this blog compels you!

But doing the interview got me thinking (always a dangerous activity). Many authors know the necessity of doing promotion, but aren’t comfortable with it. Well, no worries. It’s nothing to be afraid of. Just follow these simple rules:

1. Stuff The Crippling Self-Doubt: if someone is kind enough to ask you to do an interview, do it. I don’t care if you’re nervous. I don’t care if you have the self-esteem of the half-eaten caterpillar I found in my last bag of organic salad greens. I don’t care if the thought of speaking/writing to a public audience as yourself and not a character makes you simultaneously swear, crap, and faint.* Do it. That’s how you get over it.

2. Deadlines Will Make People Kill You: Also related, if someone asks you to do an interview, especially a written one, get it back to them in a prompt manner. Yes, I know you’re busy. You know who else is busy? The person who asked you to do that interview. And they’ve got better things to do than wait for your lazy ass to complete something that is, really, of most benefit to you.

3. Be Yourself…: By which I mean, don’t be what you think people expect a writer to be.** Be who you are. Talk about writing how you feel about it. You’ve got a better chance of reaching an audience if you’re genuine than if you’re one of a million author-bots cluttering up the world. Also, you’ll be less creepy. Probably.

3 (b)….But Don’t Be A Cock: Don’t twist every question so you can talk about what you want, whether it’s your religion or the latest Justin Bieber album. Don’t compare yourself to Shakespeare unless you are Shakespeare***. Be respectful to the interviewer, the audience, and the publication. And don’t do that fake self-deprecating shit (“Oh, the story’s not really that good, I mean, it was just a little thing I scribbled off”) lest I reach across the miles between us and sterilize you with my mind.

The launch is on the 30th, and I’ll be doing a post on book launches afterwards. And I’ll probably post pictures of myself squeeing with excitement when I finally get the book in my hands. Unearthed contains the story I’m most proud of to date, and I can’t wait to see that little bastard in print. The anthology will be available in print and e-book formats for your reading pleasure, so if you’re interested, check it out. It’ll have some great stories and you’ll get a chance to both entertain yourself and support my  chocolate-covered crack habit writing life.

*I would definitely watch/read/listen to that interview.
**Though of you are a brooding, alcoholic artist crippled by ennui, then, you know, go for it. Though I’d look for a therapist.
***In which case, hail, Undead Bard. Why couldn’t you spell your own name? And why is Hamlet such a douche?